Music on the Move

Short impact summary

Music on the Move has garnered modest academic attention since its 2020 publication, with citations and engagement primarily within arts and visual studies. Its interdisciplinary reach and presence on knowledge-sharing platforms suggest a growing influence in cultural and artistic discourse, positioning it for continued relevance in related scholarly conversations.

Full narrative

Published by University of Michigan Press in 2020, Music on the Move has attracted a modest number of scholarly citations, indicating initial academic recognition. While primarily associated with the visual arts and art disciplines, its thematic focus likely intersects with broader cultural and media studies, contributing to interdisciplinary knowledge exchange. The book’s indexing in OpenAlex and hosting on Fulcrum ensure its accessibility within digital academic ecosystems, supporting ongoing discoverability among researchers.

Beyond citations, the book shows engagement in alternative metrics, with event data capturing a small but notable volume of attention outside traditional scholarly referencing. Notably, a majority of these non-citation events stem from Wikipedia entries, suggesting the work’s concepts have penetrated public and educational knowledge bases, where music and art intersect. Additional mentions on blogging platforms signal a degree of discourse amongst independent or community scholars, highlighting the book’s potential resonance beyond formal academia.

Despite the absence of recorded downloads on OAPEN and no listings in Open Educational Resources platforms, which limits insights into its adoption for teaching or open-access diffusion, Music on the Move remains positioned within a digital scholarly framework that could facilitate enhanced engagement going forward. The combination of a stable digital presence and cross-disciplinary thematic relevance suggests the book could play a role in shaping future research on the mobility of music as it relates to visual culture and artistic practice.

Looking ahead, if Music on the Move continues to stimulate citation impact and broader community discussions, it could influence how scholars conceptualize movement and circulation in arts and media studies. Its current footprint on Wikipedia may also indicate emerging recognition that can extend into curricular and public knowledge contexts. Given the book’s interdisciplinary orientation within the humanities umbrella linked to STEM via digital arts and media analysis, there is potential for transdisciplinary uptake, particularly in areas exploring technological mediation of cultural forms.